Outstanding and historically significant archive of typed agreements, corporate documents, and financial material directly tied to Buster Keaton’s early 1930s independent production efforts in Florida, including his association with Aubrey Kennedy and the formation of Flamingo Films, Inc.
The archive is anchored by three key documents signed by Keaton. The first is a multi-page typed contract dated June 2, 1933, between Kennedy Holding Corporation and Keaton, boldly signed “Buster Keaton,” outlining the production of a series of films at Kennedy Studios in St. Petersburg, Florida. The agreement details substantial financial arrangements, including a $150,000 production loan, Keaton’s $3,000 weekly drawing account, $750 weekly salary, and provisions for multiple film productions over a two-year period.
The second is a signed July 25, 1933 typed agreement, also executed by Keaton, further refining compensation terms and production cost structures, including adjustments to weekly payments and profit participation during the course of production.
The third is an ornate original stock certificate for Flamingo Films, Inc., dated June 15, 1933, issued to Keaton and signed by him as president, representing his ownership stake in the company and providing exceptional visual and display appeal.
Supporting material includes a detailed June 15, 1933 legal invoice for the formation of Flamingo Films, Inc., documenting incorporation expenses and related administrative costs.
Also included is the formal typed certificate of incorporation for Flamingo Films, Inc., naming Keaton, Marshall Neilan, and Lew Lipton as incorporators and outlining the structure and purpose of the company. While unsigned, it provides important context and directly corresponds with the signed agreements and stock certificate within the archive.
The archive is further enhanced by a signed 1937 power of attorney document appointing Lew Lipton to manage rights related to Keaton’s manuscript/play “Marooned in Mojave” (originally “The Dunes”), demonstrating continued business and creative activity beyond the Florida production venture.
An exceptional and cohesive grouping documenting a lesser-known but pivotal chapter in Keaton’s career, illustrating his transition into independent production, financial restructuring, and entrepreneurial control during the early sound era. The collection offers remarkable insight into the business mechanics behind Keaton’s post-MGM career and his efforts to reestablish himself within the film industry.
Expected age-related wear throughout, including toning, folds, scattered staining,
With One of a Kind Collectibles LOA